January 23, 2012
This is Anne. She’s a sharp and savvy business lady with a lot of class. Not only is she founder of Moneybagz Productionz and Two Bitches and a Kitten she also finds the time to share her talents and knowledge as an education business consultant for a European luxury haircare brand. Anne has a well deserved reputation as a top-shelf party organizer and hostess. In the know and possessing a keen awareness of style, the arts and current events, her soirees are always fresh and never frozen. It’s important for cosmopolitan business folk, such as Anne to have a portrait of themselves displayed proudly over their desk or featured prominently in their parlor and I am honored that she thinks highly enough of my work to allow it to meet that need.

This is Anne. She’s a sharp and savvy business lady with a lot of class. Not only is she founder of Moneybagz Productionz and Two Bitches and a Kitten she also finds the time to share her talents and knowledge as an education business consultant for a European luxury haircare brand. Anne has a well deserved reputation as a top-shelf party organizer and hostess. In the know and possessing a keen awareness of style, the arts and current events, her soirees are always fresh and never frozen. It’s important for cosmopolitan business folk, such as Anne to have a portrait of themselves displayed proudly over their desk or featured prominently in their parlor and I am honored that she thinks highly enough of my work to allow it to meet that need.

January 20, 2012
If You Don’t Have Haters Yr Doing Something Wrong, 2001 graphite on paper (appropriation)
This is an end of semester evaluation I received from one of my illustration instructors in college. I had hoped to avoid this person’s class all together after overhearing him talking around the building and seeing examples of his work. Alas, he instructed one of the core classes in my degree plan. One of my more favorite memories from that class, other than his dithering feckless critiques, was, when showing examples of work he had done for Sesame Street Magazine (in the mid 1980’s), a student remarked that working for that publication must have been fun, he replied “Yeah, but I had to do a lot of revisions..like they would want me to put a Black kid here, an Asian kid here… or a kid in a wheelchair in it….who thinks of that?”  Oh and the time a Nigerian student did a piece decrying Shell Oil’s dealings in his homeland. After giving a very in depth explanation of his piece the instructor turned to him and said, “wow I’ve never heard about this.”  -_- Upon receiving this I balled it up and threw it out. A few minutes later I decided to retrieve it….for my grudge archive.  What kind of teacher ends an evaluation with a catty rhetorical question anyway? FTG.

If You Don’t Have Haters Yr Doing Something Wrong, 2001 graphite on paper (appropriation)

This is an end of semester evaluation I received from one of my illustration instructors in college. I had hoped to avoid this person’s class all together after overhearing him talking around the building and seeing examples of his work. Alas, he instructed one of the core classes in my degree plan. One of my more favorite memories from that class, other than his dithering feckless critiques, was, when showing examples of work he had done for Sesame Street Magazine (in the mid 1980’s), a student remarked that working for that publication must have been fun, he replied “Yeah, but I had to do a lot of revisions..like they would want me to put a Black kid here, an Asian kid here… or a kid in a wheelchair in it….who thinks of that?”  Oh and the time a Nigerian student did a piece decrying Shell Oil’s dealings in his homeland. After giving a very in depth explanation of his piece the instructor turned to him and said, “wow I’ve never heard about this.”  -_- Upon receiving this I balled it up and threw it out. A few minutes later I decided to retrieve it….for my grudge archive.  What kind of teacher ends an evaluation with a catty rhetorical question anyway? FTG.

January 19, 2012
Acryl Bloemen, 2008    acrylic and charcoal on 61cm x 101cm 75lb paper

“I brought you these… to cheer up the room.”
                          - every hospital recovery room scene ever filmed

When I googled the above phrase, to see if I could get an exact reference, the third result was this, and supports my thesis entitled “Flowers and Doom : The Fragile Warriors and The Abominable Beast Named Actuality von Reality“©. Additionally, the linked site’s domain name is also a “noteworthy-in-it’s-mundanity” theme that I imagine I’ll address in the future. Acryl Bloemen is my first piece having flowers as the subject. I was inexplicably compelled to do render flowers during a nadir in 2008. Subsequently, I gained a modicum of solace.

Acryl Bloemen, 2008    acrylic and charcoal on 61cm x 101cm 75lb paper

“I brought you these… to cheer up the room.”

                          - every hospital recovery room scene ever filmed

When I googled the above phrase, to see if I could get an exact reference, the third result was this, and supports my thesis entitled “Flowers and Doom : The Fragile Warriors and The Abominable Beast Named Actuality von Reality“©. Additionally, the linked site’s domain name is also a “noteworthy-in-it’s-mundanity” theme that I imagine I’ll address in the future. Acryl Bloemen is my first piece having flowers as the subject. I was inexplicably compelled to do render flowers during a nadir in 2008. Subsequently, I gained a modicum of solace.

January 18, 2012
Untitled Page from a Sketchbook (Coffee)  2008 29cm x 21 cm graphite on paper
When I start a new sketchbook (as I am currently) I first review a few of it’s predecessors, to time travel, see if progress has been made/critique, and to scavenge any bits of idea-flesh that may remain overlooked on the carcass. In 2008 I was balls deep in office culture, bored and drank a lot of coffee to cope with the aforementioned circumstances.

Untitled Page from a Sketchbook (Coffee)  2008 29cm x 21 cm graphite on paper

When I start a new sketchbook (as I am currently) I first review a few of it’s predecessors, to time travel, see if progress has been made/critique, and to scavenge any bits of idea-flesh that may remain overlooked on the carcass. In 2008 I was balls deep in office culture, bored and drank a lot of coffee to cope with the aforementioned circumstances.

January 17, 2012
Schadenfreude (Wide Open Beauty for Carefree Living), 2000 60.09cm x 91.44cm charcoal and oil bar on newsprint

Schadenfreude (Wide Open Beauty for Carefree Living), 2000 60.09cm x 91.44cm charcoal and oil bar on newsprint

January 16, 2012
Freedom from Fear, 2001 20cm x 26cm ink and gouache on 65lb paper

Freedom from Fear, 2001 20cm x 26cm ink and gouache on 65lb paper

January 13, 2012
Agatha Christie, 2011  36cm x 28cm acrylic on canvas


“I like living. I have sometimes been wildly,  despairingly, acutely miserable, racked with sorrow, but through it all I  still know quite certainly that just to be alive is a grand thing. “   -Agatha Christie                                                          

Agatha Christie, 2011 36cm x 28cm acrylic on canvas

“I like living. I have sometimes been wildly, despairingly, acutely miserable, racked with sorrow, but through it all I still know quite certainly that just to be alive is a grand thing. “   -Agatha Christie
                                                         

January 12, 2012
This is Sean. He’s a fairly wry and humorous guy, urbane within reason and quite intelligent. I met Sean several years ago at a rock club. Our bands (he was actually in two) played frequent shows together, many of whose flyers I made. Eventually Sean asked me to do the cover art for one of his bands album’s…and I did, since I was a fan of the music, like making shit, and there was a little money in it. These days Sean is some kind of writer or something and he’s pretty good at it too. Seeing that his livelihood depends on literacy it is congruous that he acquire Secret Code No. 19 (Whatever, Just Fucking Read).

This is Sean. He’s a fairly wry and humorous guy, urbane within reason and quite intelligent. I met Sean several years ago at a rock club. Our bands (he was actually in two) played frequent shows together, many of whose flyers I made. Eventually Sean asked me to do the cover art for one of his bands album’s…and I did, since I was a fan of the music, like making shit, and there was a little money in it. These days Sean is some kind of writer or something and he’s pretty good at it too. Seeing that his livelihood depends on literacy it is congruous that he acquire Secret Code No. 19 (Whatever, Just Fucking Read).

January 11, 2012
Hold it Down, 2011  36cm x 28cm acrylic on canvas
When things don’t go as planned, you must hold it down. When you start to feel yr ghost getting away from you, you must hold it down. When your caught unprepared, you must hold it down. When a sucka tries to test, you must hold it down. When you step onto the dance floor, you must hold it down. You simply must hold it down. Otherwise, what’s the point?
Austin Folks:

Hold it Down will be up for bids at the For Esme, With Love benefit for the family of Esme Barrera taking place Friday January 13th, 2012 at The Annex/Club 1808, 1808 e 12th St ATX 78702. Please go and bid high on any of the lots.

Hold it Down, 2011  36cm x 28cm acrylic on canvas

When things don’t go as planned, you must hold it down. When you start to feel yr ghost getting away from you, you must hold it down. When your caught unprepared, you must hold it down. When a sucka tries to test, you must hold it down. When you step onto the dance floor, you must hold it down. You simply must hold it down. Otherwise, what’s the point?

Austin Folks:

Hold it Down will be up for bids at the For Esme, With Love benefit for the family of Esme Barrera taking place Friday January 13th, 2012 at The Annex/Club 1808, 1808 e 12th St ATX 78702. Please go and bid high on any of the lots.


January 10, 2012
een dutchslavetrade : verstehen 
This 120 minute painting mix is perfect for the bleak midwinter…cold, a little sad, a little angry and very danceable. Perfect to listen to while defrosting yr windshield, applying lotion to yr dried out skin, or while walking the streets looking for discarded cardboard to use as shipping material.
Verstehen features songs by Crass, Amy Winehouse, Shit Robot, RZA, Knife in the Water, Harmonia, John Lennon, Debbie Deb, Janet Jackson, Glass Candy, Frank Ocean and more.
click photo to download

Elizabeth of Bohemia (19 August 1596 – 13 February 1662) was the eldest daughter of King James VI and I, King of Scotland, England, Ireland,  and Anne of Denmark. As the wife of Frederick V, Elector Palatine,  she  was Electress Palatine and briefly Queen of Bohemia. Due to her   husband’s short reign in Bohemia, Elizabeth is often referred to as the  Winter Queen.

een dutchslavetrade : verstehen

This 120 minute painting mix is perfect for the bleak midwinter…cold, a little sad, a little angry and very danceable. Perfect to listen to while defrosting yr windshield, applying lotion to yr dried out skin, or while walking the streets looking for discarded cardboard to use as shipping material.

Verstehen features songs by Crass, Amy Winehouse, Shit Robot, RZA, Knife in the Water, Harmonia, John Lennon, Debbie Deb, Janet Jackson, Glass Candy, Frank Ocean and more.

click photo to download

Elizabeth of Bohemia (19 August 1596 – 13 February 1662) was the eldest daughter of King James VI and I, King of Scotland, England, Ireland, and Anne of Denmark. As the wife of Frederick V, Elector Palatine, she was Electress Palatine and briefly Queen of Bohemia. Due to her husband’s short reign in Bohemia, Elizabeth is often referred to as the Winter Queen.