Schadenfreude (Wide Open Beauty for Carefree Living), 2000 60.09cm x 91.44cm charcoal and oil bar on newsprint
Schadenfreude (Wide Open Beauty for Carefree Living), 2000 60.09cm x 91.44cm charcoal and oil bar on newsprint
I’d like to imagine that some of you are asking yourselves ” dutchslavetrade? why dutchslavetrade? ” Here’s the story. I went to Holland for the first time in 2003. I was very excited about the prospect of going at the first mention of the opportunity. Firstly, for getting the chance to go elsewhere, secondly, my last name is Holland. Growing up, I frequently had to say, when giving my name, “Holland, like the country.” So the idea of going through customs with a passport with the surname Holland was parallel to coming through LAX with a passport reading “Captain America.” When the moment arrived, me, my passport, the customs agent… the flatness of the lowland reality greeted me. Some hours later I was drinking Heinekens with some locals and I expressed that I was surprised that the beer was still so skunky, being in the town that it was brewed in. I told them that I had previously drank Heineken because “..if you hold the american label the right way you it reads ‘Ken Holland’. We all laughed they said ” no. it’s always horrible” and began talking about the Dutch’s role in the slave trade, whaling, mining, oil…etc. The next day I was in the lobby of the hotel waiting for some reason. I drew this plant sitting on a window sill a few times in my sketchbook. I drew this from those sketchbook drawings when I returned.
In an earlier post I wrote about my symbolic use of sewing machines and thread as related to the Greek myths of the fates and my personal relationship to arts and crafts. “Spools #12,”2009, which is part of a series of spools and pill bottles works continues this theme and adds to it, by means of the pill bottle, the concept of life modifiers is introduced. Drugs to sustain life, drugs to add quality to life, drugs to control/alter perceptions of life, drugs to escape the reality of life, drugs to end life. Also there is the the pun on being spun out on pills.
I met my friend Renee in a color theory class during college. After a few projects it became apparent that Renee and I were each others only competition. After A few more projects, each getting more and more silently competitive, we struck up a conversation leaving class one day and became fast friends. The next semester she became a figure model for the drawing classes. So I’ve drawn her a lot. In 2008 she moved to Japan. She sent me a picture of herself and I made this drawing.
Remember What The Alamo Was About (2009). As a proud Texan I have been inundated by the myth of the Alamo all of my life, but it wasn’t until I left Texas for California and was constantly in the position of defending Texas against smug Californian’s ill-informed jibes that I looked further in to the icons and symbols of Texas. Above is a sketch I made for a painting I am currently working on…I’ll post the companion essay Remember What The Alamo Was About once the painting is complete.