May 1, 2012
This is Michael. He’s an intelligent and engaging conversationalist, a real hep cat. He likes the jazz, the blues and the old country and western musics, which on occasion, we discuss over low balls during my trips home to Austin. He’s also a talented writer/director and father of two outstanding young women. Michael acquired Seated Nude Without Necklace (After Modigliani, Seated Nude With Necklace), 2003  in 2006 during a garage sale conveniently held in his front yard.

This is Michael. He’s an intelligent and engaging conversationalist, a real hep cat. He likes the jazz, the blues and the old country and western musics, which on occasion, we discuss over low balls during my trips home to Austin. He’s also a talented writer/director and father of two outstanding young women. Michael acquired Seated Nude Without Necklace (After Modigliani, Seated Nude With Necklace), 2003  in 2006 during a garage sale conveniently held in his front yard.

May 1, 2012
Die Schwangere Hexe Sitzt und Liest, 2008 61cm x 101cm acrylic on 85lb paper

Die Schwangere Hexe Sitzt und Liest, 2008 61cm x 101cm acrylic on 85lb paper

April 30, 2012
The Prettiest Kitty In The Whole Wide World, 2001  50cm x 75cm acrylic on canvas
This is from my second semester of painting and was done without reference making it, in the words of my drawing teacher, fraudulent. Be that as it may, while executing The Prettiest Kitty In The Whole Wide World I learned a valuable lesson from my painting teacher…how to use purple effectively. Thanks Neal.

The Prettiest Kitty In The Whole Wide World, 2001  50cm x 75cm acrylic on canvas

This is from my second semester of painting and was done without reference making it, in the words of my drawing teacher, fraudulent. Be that as it may, while executing The Prettiest Kitty In The Whole Wide World I learned a valuable lesson from my painting teacher…how to use purple effectively. Thanks Neal.

April 27, 2012
Commute (Poke Me Full of Holes), 2012     62cm x 91cm acrylic on cork board
An office motif on an office supply for the office. Commute (Poke Me Full of Holes) is part of an ongoing series of office themed pieces painted on cork bulletin boards including I Can’t Be Fired, Slaves Are Sold , (2010) and This Isn’t a Desk. It’s a Landfill, (TBA).

Commute (Poke Me Full of Holes), 2012     62cm x 91cm acrylic on cork board

An office motif on an office supply for the office. Commute (Poke Me Full of Holes) is part of an ongoing series of office themed pieces painted on cork bulletin boards including I Can’t Be Fired, Slaves Are Sold , (2010) and This Isn’t a Desk. It’s a Landfill, (TBA).

April 26, 2012
Interior without Woman Reading a Letter (after Vilhelm Hammershoi, Interior with Woman Reading a Letter),  2011    60.5cm x 61cm acrylic on canvas

Interior without Woman Reading a Letter (after Vilhelm Hammershoi, Interior with Woman Reading a Letter),  2011    60.5cm x 61cm acrylic on canvas

April 23, 2012
Marionnette De Chaussette, 2008    61cm x 77cm acrylic on masonite

Marionnette De Chaussette, 2008    61cm x 77cm acrylic on masonite

April 19, 2012
..And That’s What It’s All About,  2012  61cm x 101cm acrylic on 75lb paper

You put your whole self in, You put your whole self out, You put your whole self in, And you shake it all about,
You do the hokey pokey and you turn yourself around That what it’s all about.

Fin.

..And That’s What It’s All About,  2012  61cm x 101cm acrylic on 75lb paper

You put your whole self in,
You put your whole self out,
You put your whole self in,
And you shake it all about,

You do the hokey pokey
and you turn yourself around
That what it’s all about.

Fin.

April 19, 2012
The Heavy-Handed Baker, 2008 61cm x 81 cm acrylic on masonite
On occasion I will arbitrarily pick a painting from art history and duplicate/interpret it in order to determine exactly how little I know about painting. The Heavy-Handed Baker is roughly based on La Fornarina (1518-1519) by Raphael.

The Heavy-Handed Baker, 2008 61cm x 81 cm acrylic on masonite

On occasion I will arbitrarily pick a painting from art history and duplicate/interpret it in order to determine exactly how little I know about painting. The Heavy-Handed Baker is roughly based on La Fornarina (1518-1519) by Raphael.

March 30, 2012
[Flash 10 is required to watch video]

You and Me Falconry (You and Me Symmetry),  2012 mobile video 2:00

Interactions are reciprocal actions, effects or influences. They are the direct effect one _____ has on another resulting in emission or absorption of one _______ by another.  Each party in an interaction serves no less than two roles. Whether acknowledged by the parties of interaction, or not, this inherent shared duality is a form of reflectional symmetry.

You and Me Falconry  was recorded and the beat programmed on my mobile phone, at the end of a night of revelry and while on the train, respectively. I did not, however, do the editing on location..yet, on a Mac mini, which is effectually a mobile device.

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